Final New Balance Ads

As promised here are the final ads for New Balance. We shot these both in Miami. Had a great time working with the folks at Mullen on this one. Special thanks to Scott at Small Dog imageworks for rocking out on the post work again for us! Check out Scott’s Work at www.smalldoggin.com

Also special thanks to the guys at HG Productions for doing another great job producing this one! If you have not worked with them, give them a call. They rock out on productions and really make you shine! www.hgproducers.com

Yee Old Guys from the Days of Yor.


Spent a couple days shooting at the South Florida Renaissance Festival last weekend. If you’ve never experienced one before, I highly recommend going. These people are a trip. They are all “Good day to you, my lord & Me lady….” It is great how the stay and live in character throughout the festival. Tons of fun! Here is the first series of images from our our first day’s shoot.

Park City Here We Come!


Heading off tomorrow to our place in Park City Utah. Going out for the next 12 days to do some shooting and also get in some much needed turns on the mountain. I am planning to be shooting more of my personal work in the same vein of the shot shown here.

Also going to be doing some book stuff on stills and new motion stuff for the reel…. Will be testing out our new Canon 1D Mark IV camera and this nifty little GoPro Hero for some great POV perspectives! Can’t wait! Think Snow! 🙂

Miami GMCVB. (Miami Tourism)


Just completed another shoot for Turkel Advertising for the Greater Miami Conventions and Visitors Bureau.     Continuing last year’s campaign.    Shot 3 more ads for them for this year.   Knee deep in retouching as we speak.  Cool stuff!!  Will show the work as soon as I can release it.
Update:   The ads are out.   Here are two of  the most recent shots

Hockey Anyone?

I thought I’d post a few images from a shoot we did about a month & half ago for Dorland Global for Centocor’s drug Remicade. It was a pretty cool shoot. We flew to Edmonton Canada to shoot Fernando Pisani, (Right Winger for the Edmonton Oilers) He was really great to work with… very patient and gave us all the time we needed to get the job done right.

The biggest challenge we had was that he had recently broken his ankle and was in a cast. This meant every shot we did with his feet showing required us to shoot a stand in body double for the legs and skates in the same position and lighting. Once back in the studio, I then removed Fernando’s legs and feet in the final shot and substituted the body double’s legs and skates.

PDN “Tech – E Project” Feature Article

Well February is on it’s way out and March is coming in with a bang. I was honored to receive another feature article in PDN in this month’s March issue. They did a 3 page article in their “Tech – E Projects” on the work we did for Turkel Advertising for the current Campaign for The Miami Conventions and Visitor Bureau (MiamiCVB -Tourism).

We’ve been getting some good PR lately in PDN, with winning 1st Place in the Advertising category in the Digital PIX contest, then a small “Behind the Lens” Feature in the following month’s issue (both for the AT&T work we did with BBDO). I’m going to have to send some cookies as a thank you! :- )

To read the article, click the images of the pages to see them large.

Technically Speaking: How we made the magic for Miami CVB Tourism:

Mural Shot:

As with all of the shots, we were tasked with combining the art of the selected artist with a location that could represent a particular part of Miami. As Miami has many different areas, these areas must be represented in some way in the various ads. This one was set in Coconut Grove and was to portray the feeling and flavor of the Grove experience. The Grove got it’s start as a sort of artsy area and has evolved over the years to a place where you can go and eat at various outdoor cafes, enjoy the nightlife, catch some live music, etc…

This shot was to show people eating outdoors at a café on the corner with a large painted urban style mural of a musical party on the facing wall. It was to look like late afternoon, moody, almost twilight. There are two people running on the sidewalk and actually jumping into the mural. In this situation, real life meets the art and art meets real life. This is repeated with the city skyline in the mural itself where it blends with the buildings and trees.

As with most of the shots in this campaign, we photographed several different elements to create the final image. Once all elements were shot we handed them off to retoucher Michael Kerbow from Skeleton Studios to create the composite.

We scouted a location that had an outdoor café with good light exposure from the east so we could shoot it and fake it for late afternoon. To save money on talent, the café people are actually people from the creative department from the ad agency. One of the models did not show up for the shoot so the left girl seated is actually shown twice but no one seems to notice. The running models were cast from a talent agency. We shot these models running and jumping separately on white seamless at a different location on another day to simplify the on location shooting. To the right of the frame was actually a driveway of brick pavers that led to a parking garage which started right where the girls rear foot touches the ground. We shot a side of a building elsewhere that would match the perspective and texture of the wall that we wanted to lay the mural on in post. This would make the mural painting look like it was actually painted on a real wall not just stripped in. We also shot multiple condo buildings and trees so that we could have them peeking over the building and melding with the mural.

The mural artist (Danny Fila) provided us with several pieces of artwork (from an album cover artwork he had done) that Michael then pieced together to create the wall mural. Careful attention had to be paid to create enough space for the models that were to jump into the painting. We had Danny paint additional art that could be incorporated into the frame as well, such as her painted arm, torso and leg, extra musical notes and a custom city skyline that we could match with the condo buildings and trees we shot. Once Michael had composed the scene in post, I asked him to darken it slightly overall to addto the late afternoon mood and also to add one extra ceiling fan and turn on the lights digitally as they were off when we shot them.

From there the image comes back to me for final color palette exploration and adding of the illustration and painterly effect. * When viewed closely at 50% or larger on the master files you can begin to see how the image was transformed into more of a painterly look where it almost starts to look like an actual painting where the pixels actually flow more like fluid paint than photo pixels. (see detail enclosed)

 

South Beach Waves Shot:

The Artist who’s work is featured in this ad is name Avner Zabari. He creates whimsical art furniture that is very much influenced by Miami and it’s architecture and landscape. (or waterscape in this case) See http://www.avner.com/showroom/index.php?item=166&prod_year to see the original piece before we altered it. In this ad we had to combine shots of the benches (which would make up a sea of waves) with a model diving, the Art Deco skyline view of South Beach (from over the water perspective) and sky.

Creating the classic skyline view of South Beach turned out to be much more demanding than one might think. In recent years, the city has planted a zillion palm trees between Ocean Drive and the beach. You no longer can see the Art Deco buildings from an aerial perspective over the water like you once could. To get around this we did several things. We scouted and shot some from a helicopter but it became apparent that there was no way to create this view by shooting it this way. The client purchased the rights to an old stock shot that had the basic angle and look of the scene we wanted. The problem was that the proportions were all wrong… it was not nearly wide enough to cover the wide canvas that we needed. To get around this, I went to South Beach and shot many of the buildings straight on and at slight angles to get a myriad of “puzzle pieces” so tospeak, so that we could add buildings to extend the canvas to the proper proportions. Special care was taken to ensure we got the correct approximate time of day so that the lighting would match the overall scene and thebits of the stock shot that would be used alongside my original artwork. We shot the diver jumping on a trampoline against a white seamless background. It was lit from below so that when you invert him in the computer to the correct diving position, he would be lit from the correct angle by the “sun”. Lastly the furniture itself was shot at the artist’s studio. The challenge here was that he only had 8 benches and the ad requires well over 100. We set up the 8 benches and shot them repeatedly at different positions and perspectives to give ourselves plenty of originals to use in composition. Shooting many distances and angles allowed for proper placement in the composition where the perspective has to match and look as if it is really receding into the background.

Once all pieces parts were shot, the task of assembly went to our retouching team. We were under extreme time deadlines on this one as the client had media placement deadlines that were looming. Michael started by putting together the benches, I knocked out the diver and delivered it masked to him. To save time we hired a retoucher out of NY who put together the preliminary building shots to form the background plate, Michael then extended this plate due to a last minute proportion change. Once all the ocean waves had been created using a sea of benches, Michael finished the composition of the final shot and sent it back to me for final color pallet exploration and illustration and painterly looks to be applied by me here in Florida. . * When viewed closely at 50% or larger on the master files you can begin to see how the image was transformed into more of a painterly look where it almost starts to look like an actual painting where the pixels actually flow more like fluid paint than photo pixels. (see detail enclosed)

Pool Strawberry shot:

This shot was to represent the culinary art of Chef Heddy Goldsmith. The Miami location represented is the pool of the historic Raleigh Hotel on South Beach. The creative challenge on this one was to create a pool full of strawberry dipping sauce and fill the Raleigh pool with it. We shot the pool location and models first. As most of the talent was going to be small we actually shot the same 4 models multiple times. We just re-dressed them in different wardrobe and shuffled their positions around the pool. I have done this many times when working with large groups that are virtually non recognizable and it works great to save money on talent. The material for the sauce was created by a food stylist in studio in a custom made Plexiglas container that we made special to recreate the perspective we needed. The original creative called for a mango sauce which is one of Heddy’s specialty creations, but the brownish orange color made the pool look more like a sewage treatment facility than an enticing sweet pool, so a creative decision was made to color correct the liquid to a pink. A hand model was hired to dip various fruits into the sauce. Our retoucher Michael then combined the elements and added reflections then the images was returned to me to explore and set the color pallet and add the illustration and painterly effects.

Orchid Dancer Shot:

This shot was to represent art of urban dancer Zedric Bembry. The creative here required a composition of multiple shots of Zedric to be put together in a way that made him create an orchid flower. The location setting was that of the mangroves in Everglades National Park.

The first objective on this one was to scout and shoot the mangroves, I wanted an area where I could flank the dancer on either side with a border of mangroves and have a visual path to guide your eye into the shot (which we placed the flower and dancer) to give it added depth and dimension. The background is made up of 5 different shots.

To set the direction of the dancer shot, we first had to pick which Orchid we wanted to shoot. There are literally hundreds of various species of Orchid plants. This one was picked for it’s vibrant color and fluid shapes. The flower & stem itself was shot separately in studio and created from 3 different plants to form the shape and composition we wanted. Where the flower bud meets Zedric was actually a blend of the bud and part of his body to start the premise of him being the flower.

We spent the day shooting Zedric in the studio. We had him jumping and hitting various dance poses which we then began doing low rez comps of the different dance positions while on set. This allowed us to create each piece that we needed to emulate the flower as close as possible. Custom made body suits and materials were used to give the color we wanted and also to create the illusion of flower petals. The center most prominent image of Zedric was styled in a more urban style to fit who Zedric really is.We opted for the more serious expression as it showed the concentration he exhibits when dancing. Smiles looked too posed and cheesy.

Again, composition of all elements were made by Michael Kerbow of Skeleton Studio, then finishing work such as final color pallet exploration, illustration and painterly effects were added by me.

Beach Sculpture Shot:

This image was created using a large wooden sculpture of letters that were placed into position on the beach then we sprayed the entire piece with spray glue and covered it with sand to make it look as if it had been sculpted entirely out of sand.    We then styled the beach and placed our children around it.   If you notice there is a multi ethnic mix of children used to signify the cultural melting pot that is Miami.